A mise-en-scène no cinema dos anos 60 e sua relação com a vitrine e o ensaio fotográfico de moda
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Arquivos
Data
2015
Tipo de documento
Dissertação
Título da Revista
ISSN da Revista
Título de Volume
Área do conhecimento
Linguística, Letras e Artes
Modalidade de acesso
Acesso aberto
Editora
Autores
Pescador, Lilian Daros
Orientador
Brandão, Alessandra Soares
Coorientador
Resumo
Sabendo que o cinema e a moda possuem relações profícuas e complementares entre si, propomos um olhar sobre o que constitui o objeto desse estudo que são as relações entre a mise-en-scène do cinema europeu e brasileiro dos anos 60 com as vitrines e os ensaios fotográficos de moda. Ancoramos essa pesquisa em autores como Benjamin (2009), que nos aponta o surgimento da moda como imagem; Bordwell e Thompson (2013), com o conceito de mise-en-scène; Marra (2008), entendendo a fotografia de moda e alguns fotógrafos dos anos 60 e Silvia Demetresco com seus estudos sobre vitrine. Também foram utilizados como análise imagética, filmes da década de 1960, ensaios fotográficos de moda, revistas e imagens de vitrines. Mostramos, assim, as semelhanças, familiaridades, proximidades e entrelaçamentos que estabelecem esses assuntos.
Considering that the cinema and fashion have fruitful and complementary relationship with each other, this research aims to look at the object of this study focusing on mise-en-scène of European cinema and Brazilian 60s making possible relations between the fashion windows and photographic fashion essays. The theoretical part of this academic work was based on authors such as Benjamin (2009), which show the emergence of fashion as image; Bordwell and Thompson (2013), bring the concept of mise-en-scène; Marra (2008), takes the ample approach of fashion photography and some photographers of the 60s. Silvia Demetresco concludes with her studies on showcase and fashion windows. This research also used as support for imagetic analysis, the 1960s movies, fashion photographic essays, magazines and fashion windows images. Finally, the reflexions of this study show the similarities, familiarities, and crossings that set these issues.
Considering that the cinema and fashion have fruitful and complementary relationship with each other, this research aims to look at the object of this study focusing on mise-en-scène of European cinema and Brazilian 60s making possible relations between the fashion windows and photographic fashion essays. The theoretical part of this academic work was based on authors such as Benjamin (2009), which show the emergence of fashion as image; Bordwell and Thompson (2013), bring the concept of mise-en-scène; Marra (2008), takes the ample approach of fashion photography and some photographers of the 60s. Silvia Demetresco concludes with her studies on showcase and fashion windows. This research also used as support for imagetic analysis, the 1960s movies, fashion photographic essays, magazines and fashion windows images. Finally, the reflexions of this study show the similarities, familiarities, and crossings that set these issues.
Palavras-chave
Cinema, Moda, Fotografia de moda, Vitrinas