Centro de Artes Urbanas: Reabilitação do Antigo Cinema do Morro Grande
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Data
2023-06-20
Tipo de documento
Monografia
Título da Revista
ISSN da Revista
Título de Volume
Área do conhecimento
Ciências Sociais Aplicadas
Modalidade de acesso
Acesso fechado
Editora
Autores
Stalmann, Vitor dos Santos Amaral
Orientador
Reis, Marcio Vinicius
Coorientador
Resumo
A pesquisa aborda de forma minuciosa a história do território do Morro Grande, localizado no distrito da Freguesia do Ó, zona noroeste da cidade de São Paulo, apresentando os desdobramentos ocorridos a partir da chegada da Pedreira Morro Grande na região, entendendo as relações entre as formas de trabalho, moradia e lazer que foram estabelecidas pelo empreendimento desde o início do loteamento do bairro em 1948 e fortalecidos pela construção de um conjunto arquitetônico que possui como símbolos um cinema e a Capela Santa Clara de Assis. O processo de concordata que a empresa enfrentou em 1983, após realizarem a aquisição do grupo Redimix, fez com que perdessem um pouco do império que fora construído e resultou na diminuição da exploração mineral, além do abandono das edificações ali presentes. Estes espaços começaram a ser ocupados pela população que vivia no entorno, principalmente a partir dos anos 2000, que se utilizaram dali para experimentar o grafite, o pixo e demais práticas da arte urbana, transformando as construções atrativas para praticantes da fotografia e audiovisual. Em 2006, um grupo de moradores formam o Movimento em Defesa do Parque Morro Grande, que luta desde então pela implantação de um parque urbano na grande área da pedreira, preservando o remanescente de bioma de mata atlântica e os locais de relevância histórica para a comunidade. A partir do levantamento histórico do bairro e contextualização da arte urbana no Brasil, é apresentado um masterplan com diretrizes de intervenção para o conjunto arquitetônico e um detalhamento da área do cinema, onde foi proposto um Centro de Artes Urbanas, alocando ateliês dedicados às práticas de grafite, fotografia, dança e música, além de uma esplanada que trabalha as relações internas e externas da edificação a partir de espaços para realização de eventos e projeções, suprindo a necessidade do território em equipamentos públicos de qualidade voltados à cultura e entretenimento.
The research thoroughly addresses the history of the Morro Grande territory, located in the district of Freguesia do Ó, in the northwest zone of the city of São Paulo. It presents the developments that occurred after the arrival of the Morro Grande Quarry in the region, understanding the relationships between forms of work, housing, and leisure that were established by the enterprise since the beginning of the neighborhood's urbanization in 1948. These relationships were strengthened by the construction of an architectural complex that includes a cinema and the Santa Clara de Assis Chapel as symbols. The bankruptcy process that the company faced in 1983, following the acquisition of the Redimix group, resulted in the loss of part of the empire that had been built and led to a decrease in mineral exploitation, as well as the abandonment of the buildings in the area. These spaces began to be occupied by the surrounding population, particularly from the 2000s onwards, who used them to experiment with graffiti, pixação (a form of graffiti unique to Brazil), and other urban art practices, making the constructions attractive to photographers and audiovisual artists. In 2006, a group of residents formed the Movement in Defense of Morro Grande Park, which has been fighting for the establishment of an urban park in the large quarry area, preserving the remaining Atlantic Forest biome and the historically relevant sites for the community. Based on the historical survey of the neighborhood and the contextualization of urban art in Brazil, a master plan is presented with intervention guidelines for the architectural complex and a detailed plan for the cinema area. The proposal includes an Urban Arts Center, which includes studios dedicated to graffiti, photography, dance, and music practices, as well as an esplanade that fosters internal and external relations of the building through spaces for events and projections. This plan meets the territory's need for high-quality public facilities focused on culture and entertainment.
The research thoroughly addresses the history of the Morro Grande territory, located in the district of Freguesia do Ó, in the northwest zone of the city of São Paulo. It presents the developments that occurred after the arrival of the Morro Grande Quarry in the region, understanding the relationships between forms of work, housing, and leisure that were established by the enterprise since the beginning of the neighborhood's urbanization in 1948. These relationships were strengthened by the construction of an architectural complex that includes a cinema and the Santa Clara de Assis Chapel as symbols. The bankruptcy process that the company faced in 1983, following the acquisition of the Redimix group, resulted in the loss of part of the empire that had been built and led to a decrease in mineral exploitation, as well as the abandonment of the buildings in the area. These spaces began to be occupied by the surrounding population, particularly from the 2000s onwards, who used them to experiment with graffiti, pixação (a form of graffiti unique to Brazil), and other urban art practices, making the constructions attractive to photographers and audiovisual artists. In 2006, a group of residents formed the Movement in Defense of Morro Grande Park, which has been fighting for the establishment of an urban park in the large quarry area, preserving the remaining Atlantic Forest biome and the historically relevant sites for the community. Based on the historical survey of the neighborhood and the contextualization of urban art in Brazil, a master plan is presented with intervention guidelines for the architectural complex and a detailed plan for the cinema area. The proposal includes an Urban Arts Center, which includes studios dedicated to graffiti, photography, dance, and music practices, as well as an esplanade that fosters internal and external relations of the building through spaces for events and projections. This plan meets the territory's need for high-quality public facilities focused on culture and entertainment.
Palavras-chave
Cidade, Patrimônio Industrial, Arte Urbana, Meio Ambiente, Memória Periférica