Teses e dissertações
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Navegando Teses e dissertações por Assunto "(Re)significação"
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Dissertação Acesso aberto As artes cênicas em um mundo de carbono e silício : perspectivas de (re)significação dos elementos cênicos constituintes na cena contemporânea a partir da incorporação da linguagem audiovisual e da hipermídia(2011) Roat, Leonardo AmorimThe present thesis presents some considerations on the dramatic arts in the current days, specifically on the new aesthetic products originated from the incorporation of the hypermedia and the audiovisual language. It is an attempt to understand the perspectives of (re)signification of its constituent elements. The building of such new artistic moves by their creators and public becomes the result from the dilution of the frontiers, of a deterritorialization, of a current and emerging hybridization of a number of aspects of human knowledge. Within such a postmodern scene the digital language connected to the dramatic arts in an unprecedented process of crossing between their respective languages characterizes the unrelenting search for communication to amplify human telos by means of the arts. It is also an attempt to understand the possible paradigmatic ruptures installed through an alert look at the revolution generated by the digital culture in the universe of the arts, anchored in a process of feedback between the postmodern subject and context. Thus, to investigate the emerging new configurations for an art that still has no name, and of the (re)signification of the constituent elements that comprise the dominant view for the dramatic arts in a postmodern intercultural scene, a discussion is made on the theatrical productions by the Brazilian Phila 7 and Teatro para Alguém, the British Station House Opera and Royal Shakespeare Conpany, and by the French-Canadian performer Robert Lepage, and the group from Catalunya, La Fura del Baus