Cidade e preservação: a dimensão urbana do patrimônio cultural em Santo André
Nenhuma Miniatura disponível
Data
2020-04-02
Tipo de documento
Dissertação
Título da Revista
ISSN da Revista
Título de Volume
Área do conhecimento
Ciências Sociais Aplicadas
Modalidade de acesso
Acesso aberto
Editora
Autores
Farias, Larissa
Orientador
Tourinho, Andréa
Coorientador
Resumo
Esta pesquisa busca responder à pergunta de quais são as visões de cidade e de patrimônio cultural em Santo André, na chamada Região do Grande ABC, região metropolitana de São Paulo, a partir da análise de três inventários realizados para a área central do município: o inventário realizado em 1998, por equipe coordenada pelo arquiteto Décio Tozzi; o inventário elaborado em 2006, que tinha em sua equipe nomes como Regina Prosperi Meyer e Marta Dora Grostein, professoras da Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo; e o inventário realizado em 2009, que foi desenvolvido pelo corpo técnico do órgão de preservação do patrimônio municipal. Além disso, entendendo-se que o centro do município de Santo André é o lugar de formação inicial da cidade, que se desenvolveu a partir da indústria, pretende-se aqui identificar o que ainda resta da memória industrial, tendo como recorte espacial de estudo a Zona Especial de Interesse do Patrimônio da área central de Santo André (ZEIP – Centro). A problemática a ser enfrentada é a de que, apesar de terem sido realizados esses inventários, pouco da memória da cidade está reconhecida por meio de tombamento enquanto instrumento de reconhecimento de valor cultural. Procede-se, inicialmente, a um panorama das práticas de preservação do patrimônio cultural em esfera federal e no estado de São Paulo, a fim de compreender a ampliação do conceito de patrimônio cultural nas ações dos órgãos de preservação. Outros inventários são analisados por contribuírem para o debate do patrimônio cultural, como o Inventário de Proteção do Acervo Cultural da Bahia (IPAC), o Inventário Geral do Patrimônio Ambiental, Cultural e Urbano da Cidade de São Paulo (IGEPAC), e o Inventário Nacional de Referências Culturais (INRC). Em seguida, aborda-se o município de Santo André, contemplando sua história, políticas urbanas e de preservação do patrimônio cultural, para, então, serem descritos e analisados cada um dos inventários do município. A investigação dos inventários aponta para uma ampliação do conceito de patrimônio cultural, que vai desde a identificação de bens isolados de seu entorno, passa pela utilização de categorias como ciclos históricos, que excluem grupos sociais mais modestos da história da cidade, até chegar no conceito de paisagem cultural. Também verifica-se a apropriação do patrimônio cultural como bem de consumo cultural, a partir da presença do uso cultural nos bens preservados, em que se perde a dimensão do cotidiano e do trabalho. Percebe-se, também, a dificuldade na integração das ações de preservação do patrimônio cultural e de planejamento urbano, que não acontecem de forma conjunta e, assim, prejudicam a preservação e manutenção do centro urbano do município de Santo André, ressaltando a presença de bens remanescentes do período industrial do município, que não estão preservados por meio de tombamento.
This research seeks to answer to the question of what are the visions of city and cultural heritage in Santo André, in the called Great ABC Paulista, in the Metropolitan Region of São Paulo, from the analysis of three inventories done for the central area: the inventory elaborated in 1998 was done by the team coordinated by Décio Tozzi (architect); the inventory elaborated in 2006, that had in the team Regina Prosperi Meyer and Marta Dora Grostein, teachers in the Architecture and Urbanism School of São Paulo’s University; and the inventory elaborated in 2009, that was developed by the technical staff of the cultural heritage’s preservation agency. Besides that, understanding that Santo André’s central area is the place of initial formation of the city, developed from the industry, this research intends to identify what remains of industrial memory, having as spatial clipping the Special Zone of Heritage Interest – Central Area. The problematic to be faced is that despite of carried out these inventories, just a little of the memory of the city is recognized by the heritage-listed, as an instrument of cultural value recognition. First, is realized a panorama of the cultural heritage’s actions, in order to understand the expansion of the concept of cultural heritage present in the actions of the preservation agencies. Other inventories were analyzed for contributing to the cultural heritage discussion, like the Bahia’s Protection Inventory of Cultural Collection, the General Inventory of Environmental Heritage Cultural and Urban of São Paulo’s City, and the National Inventory of Cultural References. Next, the research enters in the city of Santo André, understanding the history, urban politics and cultural heritage politics. Posteriorly, each inventory of Santo André is descripted and analyzed. The investigation of the inventories points to an expansion of the cultural heritage concept, from the identification of isolated goods of the urban context, use of categories like historical cycles, which delete social groups of the city’s history, until arrive to the concept of cultural landscape. In addition, the research verifies the appropriation of the cultural heritage as an object of cultural consumption, from the presence of the cultural use in the preserved goods, as a common sense of give to the cultural heritage this kind of use, forgetting the everyday activities, like work. Also is perceived the difficult in the integration of the actions preservations of cultural heritage and the urban planning, that don’t happen together and, because of that, the preservation and maintenance of the city’s central area is harmed, highlighting the presence of remaining goods from the city’s industrial period, that aren’t preserved by listing.
This research seeks to answer to the question of what are the visions of city and cultural heritage in Santo André, in the called Great ABC Paulista, in the Metropolitan Region of São Paulo, from the analysis of three inventories done for the central area: the inventory elaborated in 1998 was done by the team coordinated by Décio Tozzi (architect); the inventory elaborated in 2006, that had in the team Regina Prosperi Meyer and Marta Dora Grostein, teachers in the Architecture and Urbanism School of São Paulo’s University; and the inventory elaborated in 2009, that was developed by the technical staff of the cultural heritage’s preservation agency. Besides that, understanding that Santo André’s central area is the place of initial formation of the city, developed from the industry, this research intends to identify what remains of industrial memory, having as spatial clipping the Special Zone of Heritage Interest – Central Area. The problematic to be faced is that despite of carried out these inventories, just a little of the memory of the city is recognized by the heritage-listed, as an instrument of cultural value recognition. First, is realized a panorama of the cultural heritage’s actions, in order to understand the expansion of the concept of cultural heritage present in the actions of the preservation agencies. Other inventories were analyzed for contributing to the cultural heritage discussion, like the Bahia’s Protection Inventory of Cultural Collection, the General Inventory of Environmental Heritage Cultural and Urban of São Paulo’s City, and the National Inventory of Cultural References. Next, the research enters in the city of Santo André, understanding the history, urban politics and cultural heritage politics. Posteriorly, each inventory of Santo André is descripted and analyzed. The investigation of the inventories points to an expansion of the cultural heritage concept, from the identification of isolated goods of the urban context, use of categories like historical cycles, which delete social groups of the city’s history, until arrive to the concept of cultural landscape. In addition, the research verifies the appropriation of the cultural heritage as an object of cultural consumption, from the presence of the cultural use in the preserved goods, as a common sense of give to the cultural heritage this kind of use, forgetting the everyday activities, like work. Also is perceived the difficult in the integration of the actions preservations of cultural heritage and the urban planning, that don’t happen together and, because of that, the preservation and maintenance of the city’s central area is harmed, highlighting the presence of remaining goods from the city’s industrial period, that aren’t preserved by listing.
Palavras-chave
patrimônio cultural, Santo André, inventário, preservação, patrimônio industrial