O discurso e o efeito do corpo in suspenso
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Arquivos
Data
2015
Tipo de documento
Tese
Título da Revista
ISSN da Revista
Título de Volume
Área do conhecimento
Linguística, Letras e Artes
Modalidade de acesso
Acesso aberto
Editora
Autores
Rubin, Carolina Bithencourt
Orientador
Neckel, Nádia Régia Maffi
Coorientador
Resumo
"O Discurso e o efeito do corpo in suspenso: a constante (re) construção do corpo das madrinhas e rainhas de bateria" analisa a forma, sujeitos e sentidos da/na sociedade contemporânea, com o objetivo de compreender o culto ao corpo, e as transformações dos corpos femininos no carnaval desde a década de 1980 até 2013. Esta década foi destacada a partir dos acontecimentos sociohistóricos que marcaram o nascimento das personagens no Brasil (em especial na cidade do Rio de Janeiro): Madrinha de Bateria das Escolas de Samba (1981) e Rainha de Bateria das Escolas de Samba (1985). Este foi nosso ponto de partida para a compreensão do corpus delimitado pelo "corpo feminino no carnaval" a partir dos dispositivos teóricos, metodológicos e analíticos da Análise do Discurso. Através destes dispositivos, definimos nosso recorte de análise, que foram: "Os deslizamentos de sentidos nas transformações físicas dos corpos das rainhas de bateria das escolas de samba do carnaval da década de 1980 até 2013". Analisamos o corpo enquanto discurso a partir das noções de Análise do Discurso, de esquecimento discursivo, esquecimento ideológico e acontecimento discursivo (PÊCHEUX; FUCHS, 1997; PÊCHEUX, 2008), bem como das noções de desejo, gozo e corpo de Lacan (1998). A partir do carnaval de 2013, e dos corpos das madrinhas e rainhas de bateria de carnaval, entendemos como uma mulher da contemporaneidade pode deslocar-se da regularidade discursiva de mulher feme fatalle para a regularidade discursiva de mulher guerreira ocupando ainda, a posição sujeito Madrinha ou Rainha de Bateria. Além de reconhecer os principais acontecimentos históricos e as ideologias circulantes que proporcionaram este acontecimento discursivo - (re)construção do corpo feminino - , bem como o efeito de corpo in suspenso, efeito que gera um corpo sempre em transformação, nunca permanente e sempre provisório na mulher contemporânea
"Speech and body effect suspended: the constant (re) construction of the body of the bridesmaids and drum queens", analyzes the subject shape and directions of / in contemporary society, in order to understand the cult of the body, and the transformations of female bodies in the carnival from the 1980s until 2013. This decade was highlighted, from the historical social events that marked the birth of characters: Battery godmother of samba schools (1981) and Battery Queen of Samba Schools (1985) in Brazil (especially in the city of Rio de Janeiro). This was our starting point for understanding delimited by "woman body during at carnival", from the methodological and analytical theoretical devices of discourse analysis. Through these devices define our analysis clipping which are: "The senses of landslides in the physical transformation of the bodies of battery queens of carnival samba schools of the 1980s until 2013". We analyze the body as a discourse from the discourse analysis of notions of discursive oblivion, forgetting ideological and discursive event (PÊCHEUX; FUCHS, 1997; PÊCHEUX, 2008), as well as the desire notions of joy and body Lacan (1998). From the 2013 carnival, and the bodies of bridesmaids and Carnival drum queens, we understand how a woman of contemporaneity can move the fatalle feme woman discursive regularity to discursive regularity warrior woman taking also the subject position Godmother or battery Queen character. In addition to recognizing the major historical events and current ideologies that promoted this discursive event - (re) construction of the feminine-body, and the body suspended in effect, an effect that generates a body ever-changing, never permanent and always provisional in contemporary woman
"Speech and body effect suspended: the constant (re) construction of the body of the bridesmaids and drum queens", analyzes the subject shape and directions of / in contemporary society, in order to understand the cult of the body, and the transformations of female bodies in the carnival from the 1980s until 2013. This decade was highlighted, from the historical social events that marked the birth of characters: Battery godmother of samba schools (1981) and Battery Queen of Samba Schools (1985) in Brazil (especially in the city of Rio de Janeiro). This was our starting point for understanding delimited by "woman body during at carnival", from the methodological and analytical theoretical devices of discourse analysis. Through these devices define our analysis clipping which are: "The senses of landslides in the physical transformation of the bodies of battery queens of carnival samba schools of the 1980s until 2013". We analyze the body as a discourse from the discourse analysis of notions of discursive oblivion, forgetting ideological and discursive event (PÊCHEUX; FUCHS, 1997; PÊCHEUX, 2008), as well as the desire notions of joy and body Lacan (1998). From the 2013 carnival, and the bodies of bridesmaids and Carnival drum queens, we understand how a woman of contemporaneity can move the fatalle feme woman discursive regularity to discursive regularity warrior woman taking also the subject position Godmother or battery Queen character. In addition to recognizing the major historical events and current ideologies that promoted this discursive event - (re) construction of the feminine-body, and the body suspended in effect, an effect that generates a body ever-changing, never permanent and always provisional in contemporary woman
Palavras-chave
Análise do discurso, Corpo humano e linguagem, Carnaval - Linguagem, Linguagem corporal